Identitas

March 28 – May 10, 2025

portrait printed on handmade paper

Daniel Simone

Gabriel, 2024

reduction linocut on recycled paper consisting of the artist’s old test prints and their partner’s old work clothes

17 1/2h x 11w in
44.45h x 27.94w cm

ds_001

a bent over figure reaches for a doorway while other figures pass by

Daniel Simone

Brood V, 2024

reduction block print on recycled paper consisting of girl scout cookie boxes, candy wrappers, and medical documents

24h x 18w in
60.96h x 45.72w cm

ds_002

a hand reach through high grass to grasp and insect, printed on collaged paper

Daniel Simone

the Reaching, 2024

reduction block print on BFK and Hahnemüle paper printed with an excerpt from Wendy Cope’s poem “the Orange”.

20h x 14w in
50.80h x 35.56w cm

ds_003

Portrait of young person with baseball hat and uniform

Marcus Dunn

Infielder, 2023

Acrylic on panel

12h x 9w in
30.48h x 22.86w cm

MD_004

A young man sits in a room, on a bed with his back to the view, looking out the window at a road in the distance

Marcus Dunn

Not Dark Yet, 2023

Acrylic on panel

30h x 40w in
76.20h x 101.60w cm

MD_001

Painting of a young woman with her back to the viewer, walking down a long school hallway

Marcus Dunn

Just Down the Hall, 2022

Acrylic on canvas

18h in
45.72h cm

MD_003

A  three quarter length portrait of a young  native american woman. Her gaze is to the side of the viewer

Marcus Dunn

Looking Back, 2022

Acrylic on canvas

18h x 14w in
45.72h x 35.56w cm

MD_002

Portrait of the artist's father in regal eighteenth century spanish dress. framed in gold leaf with sections of a much larger ornate frame

Luis Alvaro Sahagun

Limpia No. 3: Jose Luis "Don Chepe" Sahagun Sotelo, 2022

Charcoal, paper, amethyst, obsidian, crystals, resin, beads, gorilla glue, rope, joint compound, gold leaf, family photos, found objects, and caulk

77h x 66w x 5d in
195.58h x 167.64w x 12.70d cm

LAS_001

Portrait of a young man in  red robes with a baseball cap pulled down over his eyes. framed in an ornate oval shaped framed with beads, feathers and found objects

Luis Alvaro Sahagun

Amulet no. 2 (soul retrieval), 2024

Gorilla Glue, charcoal, paper, beads, beeswax, feathers, glitter, found objects

13h x 10w x 1d in
33.02h x 25.40w x 2.54d cm

LAS_002

Red Power sculpture with a children's book as a head

vanessa german

Who Will Tell You Your Story and How?

Three children’s books, control, the spirit of benevolence as a misguided attempt at control, wood, paint, cloth, twine, beads and buttons and strands strung by the community of Topeka, grace, equanimity, the expansive presence of the immutable, hope, a common misidentification of the miracle

Dimensions Variable

vg_001

White Power sculpture with a children's book as a head

vanessa german

Who Will Tell You Your Story and How?

Three children’s books, control, the spirit of benevolence as a misguided attempt at control, wood, paint, cloth, twine, beads and buttons and strands strung by the community of Topeka, grace, equanimity, the expansive presence of the immutable, hope, a common misidentification of the miracle

Dimensions Variable

vg_003

Blue Power sculpture with a children's book as a head

vanessa german

Who Will Tell You Your Story and How?

Three children’s books, control, the spirit of benevolence as a misguided attempt at control, wood, paint, cloth, twine, beads and buttons and strands strung by the community of Topeka, grace, equanimity, the expansive presence of the immutable, hope, a common misidentification of the miracle

Dimensions Variable

vg_002

Yellow Kevlar vest with black and gold butterfly lining. This vest is tailor-made to fit and protect Shell, a professional ballet dancer and close family friend, especially during my teenage years. The butterfly patterned lining reflects the ways in which he has overcome obstacles to reinvent himself and his career.

Erika Diamond

Shell Vest (Imminent Peril - Queer Collection Series), 2020

Yellow Kevlar, cotton lining, buckle

26h x 22w x 6d in
66.04h x 55.88w x 15.24d cm

ED_001006

Black tailored vest, Using black bulletproof Kevlar material and a dark red silk lining, this vest is tailor-made to fit and protect Francis, one of my three interns during a 2018 residency at Platte Forum in Denver.

Erika Diamond

Francis Vest, 2020

Laser-cut Kevlar Fabric, silk lining

26h x 20w x 3d in
66.04h x 50.80w x 7.62d cm

ED_001003

Yellow, sleeveless hoodie and vest. This vest is tailor-made to fit and protect Justin, Clinical Research Project Manager

Erika Diamond

J Hoodie, 2018

Ballistic grade bulletproof Kevlar fabric, jersey lining, zipper

30h x 22w x 10d in
76.20h x 55.88w x 25.40d cm

ED_001002

Black Kevlar vest with yellow kevlar collar, appliqué lining. This vest is tailor-made to fit and protect Michael-Birch, a true leader within the LGBTQ+ community of Richmond.

Erika Diamond

Michael – Birch Vest (Imminent Peril - Queer Collection Series), 2020

Kevlar Fabric, fabric lining, Kevlar chopped mat collar, embroidery, appliqué

26h x 22w x 6d in
66.04h x 55.88w x 15.24d cm

ED_001005

Yellow Kevlar vest. This vest is tailor-made to fit and protect Aaliyah, one of my three interns during a 2018 residency at Platte Forum in Denver. Unsettled by persistent gun violence in this country, Aaliyah, an outspoken yet sensitive person, expressed constant fear of facing armed shooters at high school. Her vest fabric was laser-engraved at UNCA STEAM Studio with a pattern comprised of Run/Hide/Fight active shooter instructions.

Erika Diamond

Aaliyah Vest (Imminent Peril - Queer Collection Series), 2020

Kevlar Fabric w/ Laser-etched Run/Hide/Fight pattern, Linen lining

16h x 16w x 3d in
40.64h x 40.64w x 7.62d cm

ED_001004

Self portrait of artist with a mirror image. Digital interruption blur the artists face.

Liz Trader Williams

Real Time, 2022

Archival Pigment Print

20h x 16w in
50.80h x 40.64w cm

Edition of 5

LTW_002

Self portrait of artist in an old school portrait session pose. Their work deals with  scrutiny, legislation, and emotional erosion that marginalized identities endure.

Liz Trader Williams

Untitled Series, 2020

Archival Pigment Print

14h x 11w in
35.56h x 27.94w cm

Edition of 5

LTW_003

Double exposure portrait, by Liz Trader Williams

Liz Trader Williams

Untitled Series, 2020

Archival pigment print

14h x 11w in
35.56h x 27.94w cm

Edition of 5

LTW_004

Portrait of the artist in shadow behind a bonfire

Liz Trader Williams

Phoenix, 2020

Archival Pigment Print

20h x 16w in
50.80h x 40.64w cm

Edition of 5

LTW_001

Press Release

Identitas
March 28 - May 10, 2025
Reception for the Artists: Friday, March 28, 6-8PM

 

Tracey Morgan Gallery is pleased to present the group exhibition Identitas, with work by Erika Diamond, Marcus Dunn, vanessa german, Luis Alvaro Sahagun, Daniel Simone, & Liz Trader Williams. A reception for the Artists will be held on Friday, March 28 from 6-8PM.

 

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

 

Recent attacks on diversity, immigration, the LGBTQ+ community, and basic human rights through the rapid-fire bombardment of executive orders over the past months have left so many of us feeling powerless and overwhelmed. It has left many artists fearing for their safety, forced into modes of self-protection instead of self-expression. While art at its best rarely offers answers, the selection of works on view here serves as a reminder that ultimately, we can find the deepest expression of unity through celebrating individuality.

 

About the Artists:

Erika Diamond is a textile-focused artist, curator, and educator whose work is influenced by dance, costume, materiality, and the politics of queer safety and visibility. Marcus Dunn’s work consists of small- and large-scale paintings concerning memory and cultural identity, He descends from Tuscarora and Pee Dee tribal heritage. vanessa german’s practice proposes new models for social healing, utilizing creativity and tenderness as vital forces to reckon with the historical and ongoing catastrophes of structural racism, white supremacy, heteropatriarchy, resource extraction, and misogynoir. Born in Guadalajara, Jalisco, México, and raised in Chicago’s Southland, Luis Alvaro Sahagún’s practice is grounded in curanderismo, the traditional healing practices of Latin America. His work reimagines Mexica and Yucatec Maya rituals within contemporary art. His work “Limpia No. 3: Jose Luis ‘Don Chepe’ Sahagun Sotelo” (2022) included in this exhibition is a portrait of his father. Daniel Simone (it/they/he) is a transgender “alternative” “printmaker” based in Waynesville and Cullowhee, North Carolina.Their works focuses on transgender identity and queer life through everyday waste; their practice is almost entirely cyclical and revolves around utilizing refuse as a means of documenting the self. Liz Trader Williams’ work included here is both an intimate exploration and a broader commentary on the scrutiny, legislation, and emotional erosion that marginalized identities endure.